HINT - Click on picture to be taken to submission guidelines
Science Fiction & Fantasy
zombies need brains
Details
FOUR Anthologies in the works
Editor: Joshua Palmatier
Deadline: Dec 31
Pay: min 8c a word
Word range: max 7500. avg 6000
Simultaneous submissions? NO
Reprints? No
Description
FAMILIARS: Animals have been our companions since the dawn of time, but in science fiction and fantasy, often that bond is taken one magical—or technological—step further. From the ubiquitous black cats in witchcraft to the treecats in David Weber’s Honor Harrington universe, Anne McCaffery’s dragons of Pern to Mercedes Lackey’s horse-like Companions in her Valdemar universe, familiars have played a part in stories since paper met pen. In FAMILIARS, we ask writers to stretch their imagination and give us their most inventive furry, feathered, or scaly companions in tales of fantasy, science fiction, mystery, or horror. Edited by Patricia Bray & Joshua Palmatier,
LAST-DITCH: In the heart-pounding world of espionage, it’s the spy that gets the dirty work done. From a longshot gamble to reverse the tides of war to a secret operation escaping with stolen plans, the task is often left to the double agent. Whether it’s for King and country or a private backer, the lone operative gets in and gets out…if only it was that easy. Edited by Troy Carrol Bucher and Gerald Brandt, this anthology will explore Science Fiction or Fantasy stories of back-against-the-wall, desperate purpose--Hail Marys launched when hope seems lost. The actions of the secret agent can change the tides for good or evil; it all depends on which side you are on.
Submission Hints
Stories must be submitted in electronic format to the Zombies Need Brains Moksha site for the appropriate anthology at http://zombiesneedbrains.moksha.io.
My Insights
None so far. I've done a writing challenge with the Wulf Pack for a previous ZNB call, but I didn't sell anything. Now I have some good long stories I still can't sell. 😂 I've sent in 2 stories for Last Ditch, and one for Familiars.
like this list? NEWLY UPDATED FOR 2024!
Many new markets! Lots of great hints for success! This book can help you find a home for your story in the easiest, most organized way. The perfect stocking stuffer in paperback for that writer you know.
Science Fiction
on spec
Details
Managing Editor: Diane Walton
Open till Dec 15th
Pay: $100 for under 1,000
5c a word for longer (cdn)
Word range: up to 6,000
Simultaneous submissions? Yes
Description
On Spec publishes innovative poetry and short stories. They call themselves: The Canadian Magazine of the Fantastic” The editors ask for character-driven pieces with high stakes that keep readers turning the pages. From the website: “Our little quarterly journal, On Spec adheres to a strong mandate that has served us well over the years. We discover and showcase quality works by predominantly Canadian writers and artists, in the genre we call “Fantastic” literature. We foster the growth of emerging writers in this genre, by offering support and direction through constructive criticism, education, mentoring, and manuscript development. We try to publish as many new writers as possible, alongside works by established writers, and we also endeavour to support these writings with innovative cover art for every mind-bending and emotion-provoking issue!”
Submission Hints
Here are some hints for selling to this market:
•
Watch out for flags that predict the ending of the story before we get to it.
• Don’t send us a HAITE story. That’s our acronym for “Here’s An Idea: The End”.
• Watch out for surprise Twist endings, especially if you have hidden a key piece of information from the Reader until the deus ex machina ending happens. The same applies to “one joke” or “Shaggy dog” endings.
•
Make sure your story gives the reader a credible reason to willingly suspend their disbelief, and always make the ending of your story believable.
The last thing we want to see is “It was all a dream”, or “we’re all living inside a snow globe”, or “this was all VR”.
• Stay away from really awful protagonists. Remember the point above where we want the reader to be engaged with the protagonist and really care about the outcome.”
Insights
I've been trying to sell to this market for years, but no luck.
Speculative
air & Nothingness press
Details
Anthology: We are all thieves of somebody's future
Editor: Todd Saunders
Open Nov 1- Dec 31st
Pay: 8 cents per word
word range: 1,000-3,000
Simultaneous submissions?No
Reprints? No
Description
We Are All Thieves of Somebody's Future which will collect stories with the theme: Resource Scarcity - using up the last of a critical resource and dealing with the aftermath. While stories could be dystopic (ex. the last tree), authors could also explore hopepunk (losing a resource leads to something unforeseen and positive), solarpunk (a pollution laden resource leads to a better solution), fantasy (the last dragon). We are open to all genres. All stories are requested to be between 1000 and 3000 words in length.
Authors may explore any genre with their stories and we encourage a wide variety of ideas and interpretations.
Submission Hints
Be wild, take chances, submit stories that are left of center. Show us your fireworks!
Personal Insights
Todd gave me a hint as to the stories he is most likely to buy for this anthology.
"I would like stories that are right at the tipping point (or directly to the left or right of it) where the "last resource" is going/gone and what effect that has on the society or individuals."
Learn more about him and his press by reading my interview with him.
Speculative
grendel press
Details
Uncanny & Unearthly Tales
The Midnight Labyrinth
Open for submissions: till Dec 31st
Pay: 5c a word
Word range: max 2500-7000
Simultaneous submissions? Yes
Reprints? No
Description
Each story should feature a tale delivered from a character who stepped through a door and found themselves someplace unexpected. On their journey, they will notice a book called Midnight Labyrinth. No requirement to read or interact with it; it just needs to appear. Genre-bending is welcome! Sci-fi, steampunk, horror, fantasy, etc.
Submission Hints
This anthology is an exploration of PLACE and FANTASY, so the MC in the story needs to actually find themselves in a new world/city/place that they’ve either never been before or haven’t been for a long time. (I’m leaving this vague so you have room for nostalgia along with the weird and unexpected, not so you can make any story fit in two seconds.) Also, please don’t shove the anthology requirements at the beginning of your story all at once. That does not endear you to the editors, nor is it in good spirit of the anthology.
My Insights
My writing friend Akis Linardo has sold to this market. So has Amanda Cecelia Lang. Both specialize in beautiful, dark prose. Neither afraid to veer into the strange.
Speculative Fiction
GAMUT
Details
Editor-in-chief: Richard Thomas
Theme - Winter In the City: A Collection of Dark Urban Stories
OPEN Oct 1 -March 31
Pay: 10 cents per word
Word range: 3000-7500
Simultaneous submissions? No
Reprints? No
ANON SUBS
**** HEADS UP, the general window opens on December 1st..
6PM EASTERN - It will get filled very quickly
Description
Gamut—the magazine that published over 100 speculative stories in 2017—will return as House of Gamut, a global nonprofit featuring an online magazine, a publishing arm, and a teaching academy for writers.
As a home for readers and writers of dark speculative fiction, our team at House of Gamut is dedicated to giving people spellbinding works to read through our publishing house and online magazine, while serving writers during all stages of their careers with courses from professional writers and industry experts.
Our newly launched online magazine—as well as novels, collections, and anthologies—will focus on dark speculative fiction and non-fiction across a wide range of genres including fantasy, science fiction, horror, thrillers, neo-noir, new-weird, transgressive fiction, magical realism, and literary fiction that leans into genre.
Submission Hints
Winter in the City will feature stories that take place in different cities around the world during the bleak -sometimes harsh - season of winter. They are looking for Fantastical elements within the city itself. No vampire/werewolf love stories.
Insight
Richard Thomas, author of Bram Stoker finalist SPONTANEOUS HUMAN COMBUSTION, emailed me directly to tell me about this call. You are supposed to email him and "claim" your city. I have Phoenix.
Horror
BOOK WORMS
Details
HORROR ZINE
Theme: My Bloody Valentine
Editor: R.Saint Claire
OPEN till Jan 1st
Pay: 8 cents per word
Word range: 1500 max
Simultaneous submissions? Yes
Reprints? No
Description
Book Worms is a mail order only zine-- you even have to mail in your subs.
My Bloody Valentine: dark love stories, Tinder dates gone horribly wrong, bitter romance, a lover’s revenge, tragic love, etc. Dark humor is okay, but it should fit the themes of horror and romance. Specifically looking for original poetry (any length).
Submission Hints
Open to all HORROR sub-genres. No romance or erotica.
Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007
Insight
Regina bought one of my stories "What Slays in Vegas" for her very first issue! Learn more about her here:
Speculative Fiction
apparition lit
Details
Managing Editor: Tacoma Tomilson
Flash Fiction Prompt
OPEN Dec 1 -14
Pay: 5 cents per word
Word range: under 1,000
Simultaneous submissions? No
Reprints? No
Description
Every month Apparition Lit holds a flash fiction contest and buys a story based on their prompt.
The overall theme for the year is REALITY SHOW MADNESS.
This month is Terrace House/Big Brother/The Real World
Submission Hints
Send us stories with enough emotional heft to break a heart, with prose that’s as clear and delicious as broth. We love proactive characters and settings that feel lived in and real enough to touch. Stories with style, stories with emotion, stories with character.
Insight
My friend Akis Linardos finally sold something to this market! He writes some very dark, lyrical stuff. I've been trying consistently for six years. A few personals but no sales. Look for his piece,
Horror Podcast
thirteen
Details
Podcast
Deadline: Ongoing
Pay:$50-$75 per story
Word range: around 5000 and up
Simultaneous submissions? Not sure
Reprints? No
Description
Thirteen is a podcast that goes beyond just having someone narrate a story. Using a "slow burn" philosophy, this is more of a radio drama. If you like feature length, atmospheric, spooky stories, this podcast releases a new broadcast on the 13th of each month. Explore an eerie universe of supernatural and occult tales.
Submission Hints
The following are tips to make your piece more likely to be selected for production.
The horror genre is vast and there are many great ways to produce a scare. Not all stories will be a good fit for our platform but that doesn’t mean they’re bad stories. If your first attempt isn’t selected, please keep submitting.
Submissions formatted as a script will require less time to develop and may have a better chance of selection.
Stories with a first person central narrator and supporting characters work best for our format.
Submissions with several speaking roles may be more difficult to produce and may require alteration to fit a limited cast. This may alter the story and tone. While large casts of characters are not necessarily disqualifying, our production includes between one and four cast members
.
Stories that include depictions of rape or sexual assault will not be selected. While these topics may be acceptable as plot elements we will not perform or narrate depictions of them.
We believe great characters make great stories. Excellent character development is key to our brand
Well-crafted stories, full of atmosphere and compelling settings, that take their time getting to the scares are key to our brand.
My Insights
I almost sold them a story, but ended up selling it to another market. They were really pleasant to correspond with.
Creepy christmas gifts!
Three books. Thirteen stories in each from Angelique Fawns and the most talented guest writers she could find.
Speculative
heartlines spec
Details
Editor: Rebecca Bennett
Open Dec 1 -31
Pay: 8c cents per word
Word range: 1000-3500
Simultaneous submissions? Yes
Reprints? No
primarily Canadian Magazine
Description
Heartlines Spec is a speculative magazine focused on long-term friendships and relationships. It's the comfort of the known, the fierce hug of someone that knows you best.
Submission Hints
We're looking for short fiction and poetry focused on long-term relationships: platonic, romantic, or familial. We don't want the blaze of new love or the obsession of a new friend. We want pieces that show that comfort that develops when people know each other for years.
Give us deep space, dusty frontiers, or dreamy fantasy. We want stories and poetry with strong, confident relationships amid all the sci-fi/fantasy. While we are primarily looking for stories with happy endings (yeah, yeah), we also want endings that are earned. If things get a little teary or gory, that's ok.
We are especially interested in stories featuring queer platonic relationships, ace/aro love stories, and polycules.
Insights
I'd love to sell here. No luck yet.
Speculative
interstellar flight press
Details
Editor:Annika Barranti Klein
Open Nov 1 - Dec 31
Pay: 8c per word -min $25
Word range: 1250 max
Simultaneous submissions? yes
multiple? - yes up to 3
Reprints? No
Description
Interstellar Flight Press is a new indie speculative publishing house. Our flight plan includes focusing on the most rare and beautiful of books and ideas. We want to feature innovative works from the best up and coming writers in SFF.
Submission Hints
Their website and stories look "fun." They say their magazine-- "Interstellar Flight Magazine publishes essays on science fiction and fantasy, pop culture, and geek fandom. This publication is a project of Interstellar Flight Press, a speculative publishing house."
My Insights
I've sent them three stories, and some of my writing friends have holds here already! Congrats to R.J.K. Lee, Sierra Branham, and Akis Linardos.
Speculative
the dragon's hoard
Details
Editor: Carol Hightshoe
Open till March 31, 2024
Pay: $15 plus royalites
Word range: 2500-7500
Simultaneous submissions? No
Reprints? Query
Description
At WolfSinger Publications, we love all kinds of creatures – especially DRAGONS.
Dragons love…well…their hoard. Be it a hoard of gold, gems, books, virgins, whatever your dragon loves to collect and hoard. Or maybe your dragon doesn’t have a hoard—well then WHAT’S WRONG WITH YOUR DRAGON? —All dragons have a hoard—don’t they? If he doesn’t—then explain why not.
We’re looking for stories about dragons—their hoard or lack thereof must factor into the story in some way.
Since dragons are primarily a creature of fantasy I’m sure we’ll get plenty of fantasy stories; but we’ll take science fiction as well as any other speculative fiction genre, but you MUST be creative. A creative twist on the idea of dragons and their hoards is the most important part of the story.
Submission Hints
Break the story-writing rules if you want. If you use a tried-and-true plotline, twist it in an original and interesting way.
My Insights
none
Speculative
here there be dragons
Details
Submissions Editor: H David Blalock
Open October 1 - Jan 1 2024
Pay: 8cents for the first 3000 and 3c every word after
Word range: 3000-6000
Simultaneous submissions? No
Reprints? No
Description
Dragons are icons of fantasy and legends about them abound. Found in novels, poetry, and art, they stir the imagination as helpers, heroes, villains, and symbols of love, fear, and wealth. We are looking for renderings of dragons in writing and art that capture the essence of these fascinating creatures.
Submission Hints
Lynne M. Thomas (co-publisher & editor-in-chief) said in a reddit interview: “For me it's not necessarily about a kind of story, it's about how the kind of story is executed. I'm interested in stories that are inclusive of the gamut of the human experience, and I want to see a bit more whimsy.”
My Insights
I've sold two stories to Hiraeth Publishing, and really like this market. I sent in a dragon story... one about dragons who barrel race. Because why not?
Science Fiction, Fantasy, The Macabre
electric spec
Details
Deadline: Jan 15th
Editor: Nikki Baird
Pay: $20
range: 250-7000
Simultaneous submissions?No
Reprints? Yes 2c a word
Description
Electric Spec has been around for over 11 years, don’t use slush readers, and pride themselves on giving every story they publish a good edit. They define themselves as: “Electric Spec is a not-for-profit speculative fiction magazine published four times per year. Our primary goal is getting great speculative fiction into the hands (or screens) of readers. Since 2005, we've been publishing short stories from authors all over the world. We've worked with all kinds of authors, from published professionals to new writers. We also believe in the value of the editorial process, and we edit every story we publish.”
Submission Hints
A note on our editorial policy: before publication we may work with the author to edit the story for length or readability. However, we always remain true to the spirit of the story and the author has final approval. We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres. We do not consider poetry, stories with over-the-top sex or violence, serials, novels, fan fiction, or non-fiction. We don’t accept multiple submissions; in other words, only submit one story at a time and wait for a response before submitting another. We accept simultaneous submissions as long as you let us know up front and tell us as soon as it’s accepted elsewhere. We do not publish reprints, including anything that has appeared on a website.
Sample Rejection
I’ve sent six stories to this publication and one was held for consideration but ultimately rejected. My responses took around four weeks. This is the first email I received about a story called “The Writing Retreat”: Thank you for submitting your story to Electric Spec. The editors have reviewed it and decided to hold it for voting. We anticipate making our final selection of stories for our May issue in early May. We will notify you as soon as a final decision has been made.” Then this: “Thank you for submitting your story to Electric Spec. Unfortunately, your story does not meet our needs at this time. Yours is one of many high-quality submissions we received, and we encourage you to try us again if you have another story that you think would be a good fit.”
Dark Fiction
the cellar door
Details
OPEN till Jan 31, 2024
THEME: After Tomorrow
Editor: Aric Sundquist
Open for submissions: ongoing
Pay:$25
Word range:2000-10,000
Simultaneous submissions? Yes
Reprints? No
Description
Theme: Looking for post-apocalyptic suspense/horror stories about how mankind has come to survive after our near annihilation. Humorous stories are welcome. No AI-generated stories.
Type: Post-apocalyptic stories, but can include elements of: thriller/suspense, survival horror, creature feature, supernatural/paranormal.
Submission Hints
Influential Movies/TV: A Quiet Place, Monsters, 28 Days/Weeks Later, Fury Road, It Comes at Night, Stake Land, Pandorum, 10 Cloverfield Lane, Snowpiercer, Zombieland, The Road, Sweet Home (TV), The Rain (TV), The Last of Us (TV).
I.
Influential writings/series: Influential writings/series: Silo Trilogy by Hugh Howey, Wayward Pines Trilogy by Blake Crouch, Station Eleven by Emily St. John Mandel, Metro 2033 by Dmitry Glukhovsky, Swan Song by Robert R. McCammon, I Am Legend by Richard Matheson, The Girl With All the Gifts by Mike Carey, Bird Box by Josh Malerman.
My Insights
I’ve submitted a few stories and got rejections in good time with each try...
The editor is looking for post-apocalyptic horror stories only, not stories taking place during the beginning of the apocalypse. He also isn't a fan of space opera, hard sci-fi, or high fantasy.
Speculative
the devil you know best
Details
Editor: R.J. Carter
Open Nov 1 - Jan 31st 2024
Pay: $25r
Word range: 2000-10,000
Simultaneous submissions? yes
Reprints? query
Description
Critical Blast Publishing will be opening their reading period for the third volume in THE DEVIL YOU KNOW anthology collection, THE DEVIL YOU KNOW BEST. We are looking for stories that involve an encounter with the literary/mythological/theological Devil himself in situations that range from comedy to tragedy, via horror, comedy, fantasy, or science fiction. All genres welcome as long as the theme is met.
Submission Hints
This is the third installment in this anthology series. I guess the best way to figure out what they want is to peek at the other anthos.
My Insights
I took at peek at the ad copy from the previous book. "Collected here are twenty twisted tales of encounters with humanity's immortal adversary -- stories that will chill, thrill, incite, and delight ..." And the first books is advertised with - " THE DEVIL YOU KNOW is a short-story anthology collection of encounters with various incarnations of The Devil. The genres range from fairy tale to folk tale, from urban fantasy to science fiction, from comedy to horror. For fans of stories like THE DEVIL AND DANIEL WEBSTER and FAUST."
Speculative
found #2
Details
Editor: Andy Cull & Gabino Iglesias
Deadline - March 31, 2024
Pay: 3c word
Word range: 2000-4000
Simultaneous? Yes
Reprints? No
Description
Not much info on this one, it comes from a twitter post!
Submission Hints
send your story to whatwasfoundtoo@gmail.com word or pdf only
Insights
I found a review of their last anthology here: https://thebookbeard.wordpress.com/2023/02/24/found-an-anthology-of-found-footage-horror-stories-edited-by-andrew-cull-gabino-iglesias/
Horror and Speculative
Archive of the odd
Details
Issue #4 Open submissions till Dec 15
Editor: Cormack Baldwin
Pay: 1c word
Word range: 500-12000
Reprints? yes
Simultaneous? Yes
Description
Archive of the Odd is a biannual magazine of found fiction—stories told in the style of found footage, also known epistolary, neo-epistolary, found file, or found document fiction. Essentially, stories told in the form of other documents.
Submission Hints
They do not accept traditional prose or poetry, and all submissions must be speculative in nature (most commonly defined as science fiction, fantasy, and horror, although we’re happy to look beyond these bounds). These are the only firm limits; we welcome both erotic elements and extreme horror as much as we do quiet horror, cozy fantasy, and hopeful sci-fi..
Insights
This is a new market, I've never submitted - looks neat though.
Cozy Horror
Spooky magazine
Details
Editors:Josh Strnad & Jose Cruz
Oct 1-Dec 31
Pay: 1 cent per word
word range: up to 5000 sweet spot 2500-3000
Simultaneous submissions? yes
Reprints? No
FIRST ISSUE SLATED FOR APRIL
Description
Cozy horror. Fun horror. Classy horror. Dare we say, wholesome horror?
Oxymoron? We don’t think so. One place you can start your exploration of this idea is an article from Nightmare Magazine penned by one of our co-founders.
But perhaps the easiest way to understand what we mean is to read stories by some of the old masters we love: Ray Bradbury, Charles Beaumont, Richard Matheson, Robert Bloch, Roald Dahl. Watch classic episodes of Thriller, The Twilight Zone, and Night Gallery. Read old horror comics. Listen to radio dramas like Suspense, Quiet, Please, and Inner Sanctum Mysteries. Consume enough vintage horror, and you’ll probably begin to get an idea of the type of thing that’s likely to appeal to us.
In short, we’re looking to provide a space for a type of storytelling that has largely gone out of style – dark and scary, but playful and approachable with an emphasis on plot. To clarify further, here’s a list of things we want and things we don’t, which may help you hit the sweet spot.
Submission Hints
THINGS WE LOVE:
Stories with a moral core. It need not happen in every tale, but we like to see good prevail (or at least evil punished). Ironic justice, in which cleverly nasty things happen to bad people, as in old EC comics, makes us chuckle with ghoulish delight.
Well-earned twist endings. There’s nothing we love more than a really good surprise or a clever way to subvert our expectations. Pull the rug out from under us and leave us gasping.
High concept settings and situations reminiscent of the pulps. Androids, ghosts, aliens, old castles, vampires, dinosaurs, deals with the devil, mad scientists, Wild West gunslingers, and so on. All are welcome. Give us thrilling adventures dipped in the macabre. Remember – old tropes are great, so long as your story is doing something new with them.
Tales of the fantastic invading ordinary settings. Bring terrible and unpredictable horrors into the suburbs, into our workplaces, into our homes.
Magical realism. Don’t worry too much about explaining how or why strange things happen. We are perfectly willing to accept that they do and move on to the good stuff in the story.
Playfulness and dark humor. We’re not looking for blatant comedy, but a certain level of mischief and glee will go a long way in making your story a fit for SPOOKY.
Classic Americana. Halloweeny hijinks. Campfire stories. Stuff that makes us feel like kids.
Personal Insights
I'm piling up the R's from this mag.
Xtra info: "Fun" will probably be the most unifying feature, though that can look like a lot of things. Imagine going through a really good haunted house, in which the shocks make your pulse race, but don't leave you sad afterward. We're not likely to want anything terribly heavy thematically.
A healthy dose of irony will probably go a long way with us as well, although we're not looking for parodies or jokes.
Speculative / Literary
The TEMZ Review
Details
Editor: Aaron Schneider & Amy Mitchell
Open for submissions: December 1
Pay $20
Word range: up to 10,000 words
Simultaneous submissions? Yes
Reprints? no
Description
The /tƐmz/ Review is a literary journal based in London, Ontario that publishes fiction, poetry, and reviews. We publish 4 issues per year (Spring, Summer, Fall and Winter), and we focus on publishing work from a diverse range of emerging and established voices. Our goal is to reflect a wide variety of editorial perspectives and publish an eclectic mix of writing.
Submission Hints
We are looking for innovative short fiction from diverse voices. Our preference is for the strange, the experimental and the boundary-pushing, but we are open to a wide range of styles and voices.
My Insights
I haven't submitted here yet, but they have been on my radar for a while. Being Canadian and all.
Literary
journal of compressed creative arts
Details
Matter Press
Editor- Randall Brown
Submissions: closes Dec 15
Pay: $50
Word range: 600 max
Simultaneous submissions? Yes
Reprints? No
Description
The Journal of Compressed Creative Arts is a non-profit publisher of compressed creative arts, such as micro fiction, flash fiction, prose poetry, compressed poetry & visual arts, and whatever other forms compression might take.
The Journal of Compressed Creative Arts is looking for, as you might guess, "compressed creative arts." We accept fiction and creative nonfiction, as long if they are compressed in some way. Work is published weekly, without labels, and the labels here only exist to help us determine its best readers.
Our response time is generally 1-5 days. Also, our acceptance rate is currently about 2% of submissions
Submission Hints
For all submitters, we aren't as concerned with labels—hint fiction, prose poetry, micro fiction, flash fiction, and so on—as we are with what compression means to you. In other words, what form "compression" takes in each artist's work will be up to each individual. However, we don't publish erotica or work with strong, graphic sexual content.
In short, we want to fall in love with your work. That might happen in the way we've fallen in love with work we've previously published, or it might happen in a way we have yet to experience. Maybe reading that other work will help in knowing whether you should send your work to us, but in truth, such a thing might not be discoverable.
My Insights
new market
A FAN OF STARGATE ATLANTIS?
Rachel Luttrell reads Wyatt & the Whog on the podcast Read Me A Nightmare, and gives an exclusive interview.
Yes, she played the ferocious warrior Teyla Emmagan
<—– PLUS she gives acting classes!