March Story Madness! Paying No Fee Calls Galore

HINT! CLICK ON PICTURE TO BE TAKEN DIRECTLY TO SUBMISSION GUIDELINES FOR EACH MARKET.

Dark Fantasy

apex: robotic ambitions

Details

Editors: Jason Sizemore & Leslie Connor

OPEN Early March
Pay: 8c a word

Word range: 5,000 max
Simultaneous submissions? Yes

Reprints? No
Help fund the kickstarter at https://www.kickstarter.com/projects/apexpublications/robotic-ambitions

Description

Editors Jason Sizemore and Lesley Conner are looking for stories that examine the concept of “robotic ambitions.” Using philosophical, moral, and practical points-of-view, what does it mean to be sentient and mechanical? What challenges will mechanical beings face from a fearful and chaotic world? What are their goals and ambitions?

Depending on the Robotic Ambitions’ Kickstarter funding level, we expect to fill the anthology with six to twelve original stories selected from an open reading period that will open in early March.

Submission Hints

Apex Magazine is an online zine of fantastical fiction. We publish short stories filled with marrow and passion, works that are twisted, strange, and beautiful. Creations where secret places and dreams are put on display.

Insight

Keep an eye out here for a link to my EXCLUSIVE interview with editor-in-chief Jason Sizemore getting you the inside scoop on what they want for this call!
Thinking of sending "The Emotives of Wasp 76-b" here. I will have to rewrite it from Paulina's view maybe? (She is my AI, illegally given human passions.)

Fantasy

baen fantasy award

Details

Judged by Baen Editorial Staff 


OPEN Jan 16- April 30
Pay: 8c a word, $500 free books

Word range: 8,000 max
Simultaneous submissions? No 

Reprints? No
must be RTF format & ANON -finalist announced in July

Description

Write and submit a short story of no more than 8,000 words. It must be a work of fantasy, though all fantasy genres are open, e.g. epic fantasy, heroic fantasy, sword and sorcery, contemporary fantasy, etc.

No entry fee. But only one submission per person...we suggest your best one!

No reprints (i.e. the story must be unpublished).

All entries must be original unpublished works in English. Plagiarism, poetry, song lyrics, settings and/or characters from published gaming worlds or another author’s works of fiction will not be considered.

Submission Hints

What We Want to See Adventure fantasy with heroes you want to root for. Warriors either modern or medieval, who solve problems with their wits or with their weapons—and we have nothing against dragons, elves, dwarves, castles under siege, urban fantasy, damsels in distress, or damsels who inflict distress.

What We Don’t Want to See Political drama with no action, angst-ridden teens pining over vampire lovers, religious allegory, novel segments, your gaming adventure transcript, anything set in any universe not your own, "it was all a dream" endings, or screenplays.

Insight

I've never entered this contest before, and I am just starting to try my hand at fantasy. I have a story about a cryptic called "The Truth About Nessie." If New Myths rejects it, maybe I will try it here.

Speculative

metastellar

Details

Editor Geordie Morse
Open for submissions: Mar 1 - 31

Pay:8 c a word
Word range: 1200 max
Simultaneous submissions? Yes
Reprints? No

Description

We’re looking for your best enthralling, imaginative, or bone-chilling original fiction stories, as long as they’re 1,200 words or fewer.

Submission Hints

none I could find.

My Insights

I got a rejection from the last open submission call. I have a story called "A Rocket to Love" sent to Apparition Lit flash contest. If it is rejected I will forward it here.

Literary Science Fiction & Fantasy

orion's belt

Details

OPEN March 1st
Editor: Joshua Fagan & Ai Jiang

8c a word

Word range: max 1200

Simultaneous submissions? Yes

Reprints? No

Description

Orion’s Belt is a literary speculative-fiction online magazine. We specialize in the strange and poignant and awe-inspiring, stories that have a cosmic scale and intimate personal stakes. Currently, we publish fiction only, one story per month. All stories must be 1200 words or less.

Speculative fiction for us encompasses a wide range of fiction that includes non-realist elements. While we focus on science-fiction and fantasy, we’re open to slipstream, horror, magic realism, myth retellings, surrealism, superhero stories, and all other fantastical genres and subgenres.

The “literary” qualifier simply means we like stories focusing on internal and interpersonal conflicts. Don’t give us people saving the world unless you can make us care about the people doing the saving. It also means we want stories that are sharply, intelligently written. We highly prize the craft of writing. This doesn’t mean you have to be Faulkner or Shakespeare, and it certainly doesn’t mean we want stories peppered with purple prose and thesaurus-words. It does mean that we care as much about form as we do about content. How a story is told is as important to us as what it is about.

Speculative fiction gives us the opportunity to imagine other worlds, but we can also use it to help us better understand our own little blue marble floating through the depths of space.

We follow in the tradition of science-fiction pioneer Darko Suvin and his concept of “cognitive estrangement,” in which the strangeness of different worlds provides readers with a lens through which to observe the strangeness in our own worlds. This is more than mere allegory. It’s an awakening to a higher level of awareness. In our view, the best speculative fiction does more than offer escapism. It facilitates a better understanding of the self and the other.

Submission Hints

All stories must contain significant speculative elements. This does not mean all sci-fi stories must have lasers and rockets. It just means a non-speculative story doesn’t become speculative if you include a single line clarifying the story takes place on Mars.

My Insight

I've had FOUR rejections from this market. Perhaps I will try "Rocket to Love" or "Honour's New Job".

I was so thrilled with Ai Jiang bothering to get back to me, I interviewed her for Horrortree. She seems to have found the special sauce for getting accepted to the pro mags. Read about it here!

Dark Speculative

wilted pages

Details

Editors: Ai Jiang & Christi Noel
Open March 8 - 24
Pay: 5 cents per word 

word range: 1,000-4,000
Simultaneous submissions? yes
Reprints? No
2 Subs in total allowed

Description

Ai Jiang and Christi Nogle are seeking previously unpublished stories of 1,000 to 4,000 words for Shortwave Publishing’s Wilted Pages: An Anthology of Dark Academia.

Wilted Pages takes its inspirations from works such as The Secret History by Donna Tartt, Never Let Me Go by Kazuo Ishiguro, Mexican Gothic by Silvia Moreno-Garcia, Catherine House by Elisabeth Thomas, and The Bone Weaver’s Orchard by Sarah Read. Gloomy buildings, secret societies, futuristic boarding schools, gothic yet modern aesthetics, and occult learning are among the pleasures to be found in this subgenre.

Submission Hints

We are looking for a broad range of HORROR, DARK FANTASY, and SCIENCE FICTION HORROR concerning

Schools, colleges, universities, and/or other educational institutions
Libraries and books
Laboratories and research facilities
Teachers and students
Scholarship and scholarly life
Esoteric/occult learning
Educational technology
The future of learning
The knowledge economy

Insights

You can read the interview with Ai Jiang above. Here are the things they are really looking for :

Diverse casts Mixed genres
Experimental
Character-focused
A distinct sense of setting and atmosphere
The weird, experimental, and surprising

I am going to write something fresh for this... I want to experiment with girls riding dragons being trained to save an alt world.

Fantasy & Dark Fantasy

fantasy magazine

Details

Editor-in-Chief: Arley Sorg
Open March 1 - 7
Pay: 8 cents per word 

range: 1,500-7,500 

Simultaneous submissions?No
Reprints? No
Currently open to BIPOC writers only right now & open every month from the 1st-7th

Description

Fantasy Magazine is a digital magazine focusing exclusively on the fantasy genre. In its pages, you will find all types of fantasy—dark fantasy, contemporary urban tales, surrealism, magical realism, science fantasy, high fantasy, folktales…and anything and everything in between.

Submission Hints

Fantasy is entertainment for the intelligent genre reader—we publish stories of the fantastic that make us think, and tell us what it is to be human.

Sample Rejection

I've had seven rejections from this magazine. Maybe my Emotional Support Dragon can go here? Or I should write fresh... I need more fantasy stories. Maybe I will send them Kernel Cob and the Winter Solstice miracle? Or The Emotional Support Dragon?

Speculative Fiction

apparition lit

Details

Managing Editor: Tacoma Tomilson 

FEB Flash Fiction Prompt
OPEN Mar 1 -14
Pay: 5 cents per word

Word range: under 1,000

Simultaneous submissions? No 

Reprints? No

Description

Every month Apparition Lit holds a flash fiction contest and buys a story based on their prompt.

The overall theme for the year is REALITY SHOW MADNESS.
This month they are looking for stories in the vein of Taskmaster/Would I Lie to You.

I've never heard of these shows. Research tells me Taskmaster is a British comedy panel game. Five comedians try and complete a series of challenges. They are judged on their performances in achieving them.

Would I Lie to You is another British Comedy game show. Contestants tell embarrassing stories about themselves and the panelists judge which are true or not.

Submission Hints

Send us stories with enough emotional heft to break a heart, with prose that’s as clear and delicious as broth. We love proactive characters and settings that feel lived in and real enough to touch. Stories with style, stories with emotion, stories with character.

Insight

I keep trying every month. No luck. I do promote cheesy reality shows for a living. Let's see if my background will help me finally break into this market. I wrote a sci-fi speed dating bit for last month's call.

Science Fiction

utopia

Details

Editor-in-Chief: Tristan Everts 

Fiction Editor: Angie
OPEN Now
Pay: 4 cents per word

Word range:100- 5000
Simultaneous submissions? Yes 

Reprints? No

Description

Welcome to Utopia Science Fiction (USF) Magazine. Founded July, 2019, we are a growing science fiction magazine dedicated to publishing quality science fiction short stories, science articles, and poetry. We put out a new issue on the 30th of every other month, and we release a free story and poem every three weeks.

THE NEXT THEME IS "QUEER UTOPIAS" for the June 2023 issue

Submission Hints

What are we looking for? We want enthralling stories set in futures we might want to live in. Counter to the recent dystopian craze, we publish stories that shine with a more optimistic future, one we want to believe in, one we would fight for.

We're looking for

Captivating world-building
Character-rich, diverse settings
Well-written engaging plots that steer away from common tropes
Tension and conflict that leap out of the page and grab us
A good ending
Hard science fiction, stories based in explained science

Insight

They have a form on their website for submissions. No luck yet for me. I've sent a couple stories in. I currently have Zelda's Taboo Dust Crossed Lovers here

Speculative Fiction

translunar TravelLers lounge

Details

Editors: Aimee Ogden & Bennet North
Open Mar 15 - April 15 (BIPOC only till March 21st)

Pay: 3 cents per word

Word range: up to 5,000 

Simultaneous submissions? No

Reprints? No

Description

Who doesn’t want to submit to a venue that’s looking for fun? Just the name alone of this magazine is absolutely brilliant. Translunar Travelers Lounge is published twice a year and asks for stories that explore the fun side of fantasy and science fiction. 


From the website: 
“Put down your bags, take a seat, and relax with our fine selection of short fiction. Broadly defined, the type of fiction we are looking for is “fun”. Yes, that descriptor is highly subjective, and ultimately it comes down to the personal preferences of the editors. However, here are a few road signs to get you started on the path into our hearts."

Submission Hints

A fun story, at its core, is one that works on the premise that things aren’t all bad; that ultimately, good wins out.
This doesn’t necessarily mean that your story has to be silly or lighthearted (though it certainly can be). Joy can be made all the more powerful when juxtaposed against tragedy. In the end, though, there should be hope, and we want stories that are truly fun for as many different kinds of people as possible.


Swashbuckling adventure, deadly intrigue, and gleeful romance are some of the most obvious examples of what we’re looking for, but we won’t say no to more subtle or complicated topics, as long as they fit under the wider “fun” umbrella.”

Sample Rejection

Six rejections so far. .

Hmmm Kernal Cob is fun. Rocket to Love is fun. Candyfloss Pink is fun. The Outlaw Genie is fun. Minnie and the Mutant Tomato is fun. I'll see what needs a home on March 21

Fantastic Furry Fiction

Zooscape

Details

Editor: Mary E. Lowe
OPEN: currently accepting submissions
Pay: 8 cents per word $100 min

Word range: up to 5000 words
Simultaneous submissions? NO 

Reprints? yes up to 10,000 words

Description

All stories must be furry. That means an anthropomorphic animal figure should be significantly featured in your story — it could be anthropomorphic in body or only intelligence. We’ll consider any type of furry fiction from secret life of animals to fox in Starbucks. We love science-fiction with animal-like aliens and fantasy with talking dragons, unicorns, or witch familiars.

We are interested in underrepresented voices. If you have personal experience relevant to your story, feel free to mention it in your cover letter. For instance, if your story is about a space unicorn and you are a space unicorn (or a research biologist who studies space unicorns), let us know.

We welcome and will be looking for diverse voices. We are not interested in stories that give voice to racist or sexist ideologies. And while we like unicorns and dragons, we find focusing on virginity, at best, tedious.

Submission Hints

Fiction from or about diverse perspectives and traditionally under-represented groups, settings, and cultures, written from a non-exoticizing and well-researched position, and dealing with transition & intersectionality.

Unusual yet readable styles and inventive structures and narratives.

Stories that address political issues in complex and nuanced ways, and their effect on characters/relationships.

Insight

I sent them 10 stories. All rejected. The Emotional Support Dragon is in the queue

Speculative Fiction

the midnight zone

Details

Dragon's Roost Press
Theme: NEVER BEFORE SEEN MONSTERS

Editor: Douglas Gwilym
And Ken MacGregor
OPEN Feb 1- March 30
Pay: 3 cents per word

Word range: 1000-5000
Simultaneous submissions? yes 

Reprints? No

Description

All land, sea, and space monsters are welcome.
Dragon’s Roost Press is the fever dream brainchild of dark speculative fiction author Michael Cieslak. Since 2014, their goal has been to find the best dark speculative fiction authors and share their work with the public. Our catalog includes multiple author anthologies, single author collections, poetry collections, novels, and novellas.

Submission Hints

Join featured authors Ramsey Campbell, Gemma Files, Gabino Iglesias, Gwendolyn Kiste, Joe R. Lansdale, Jonathan Maberry, Lucy A. Snyder, Jeffrey Thomas, and Gaby Triana, and the twisted editorial minds that brought you Stitched Lips, Appetites, Burnt Fur, and Harmony & Dissonance, to go to strange-and-dark new places, to plumb the depths of a Twilight Zone with sand in its teeth.

For our first sojourn, editors Douglas Gwilym & Ken MacGregor will aim the submersible toward the place where the unseen monsters feed–Novus Monstrum. Send us your original story that meaningfully features a never-before-seen monster (however you define the word).

Insight

I sent them a story I wrote specifically for this call "Hodge's Last Swim"

SHAMELESS SELF PROMO

like this list? get more for 99 cents.

This was a sample of what you can find in The Guide of All Guides. Get it from you favorite ebook retailer.

 https://books2read.com/TheGuideofallGuides

Dark Fantastical Fiction

Apex Magazine

Details

Editor: Jason Sizemore
MARCH FLASH FICTION
Theme: to come...
Open: Mar 7- Mar 31
Pay: 8 cents per word
Word range: up to 1000
Simultaneous submissions? No
Reprints? No

Description

Apex Magazine focuses on dark and spectacular science fiction, fantasy and horror. Publishing bi-monthly, it used to be called Apex Digest and has been nominated for several awards. It went on hiatus for a while, but is back in business and accepting submissions.

Submission Hints

Apex Magazine is an online zine of fantastical fiction. We publish short stories filled with marrow and passion, works that are twisted, strange, and beautiful. Creations where secret places and dreams are put on display. We publish in two forms: an every-other-month eBook issue and a gradual release of an entire issue online over a two-month period. Along with the genre short fiction, there are interviews with authors and nonfiction essays about current issues. Additionally, we produce a monthly podcast of narrated original short fiction.”

Insight

Last month's theme was Swallow
I attended a round table at Fyrecon with the editors of Apex. They were discussing dark fantasy versus horror. It was so interesting to listen to these pros. Lesley Connor wants you to make her cry. If you can get Jason to cry? Bonus Points. She is not afraid of the dark...

Here is a story they recommend to get a sense of their style.

multi genre

Details

Editor: Danny Hanker
Open Jan 2- Sept 29
Pay: 8 cents per word up to $150 

word count: 2000 max 
for pay up to 10,000 considered
Simultaneous submissions? Yes
Reprints? yes 1 cent

Description

Whatever happened to the art of storytelling? It's become a lost relic, along with our identities. But here, we're revitalizing this great craft. Don't worry, you're in good hands. After all, if laughter is medicine, then Story Unlikely is therapy for broken souls.

Submission Hints

To put it simply, we're looking for good stories, measured both by the quality of the writing and the skill in storytelling. Here’s what we’re NOT looking for: excessive anything. Think PG-13, R if necessary. We're not attempting to salt the earth with more cultural dogma couched as mediocre fiction, or writers who are jockeying for the title of Most Woke. There’s enough of that already out there. You want to impress us? Write a good story. You want to get published? Write a great one.

Insight

I entered the Dec contest with my story about a cow. Plus I also entered the reg submissions with Gragon. David Hankins was featured in my last newsletter (go to www.fawns.ca and sign up on the pop-up!) And he is going to feature me in his next newsletter. Don't you love the writing community?

Horror

mother knows best

Details

From Black Spot Books
Open for submissions: till April 1st

Pay: 6 cents per word
Word range: 1000- 5000
Simultaneous submissions? No
Reprints? No

Description

MOTHER KNOWS BEST: Tales of Homemade Horror is a women-in-horror anthology inspired by "bad mothers." We're looking for your best horror stories featuring mother-figures: mama trauma, smother-mother, etc.

MOTHER KNOWS BEST is a women-in-horror anthology. All writers who identify as women (cis, trans, and non-binary femmes) are welcome to submit. International submissions always welcomed!

Submission Hints

Black Spot Books is an established author-centric, traditional small press publisher of bestselling and award-winning dark fantasy and horror.

My Insights

I'd have to write fresh. I have no bad mom stories - yet -

Horror

the perfectly fine neighborhood

Details

French Press
Editors: Kayleigh Marie Edwards, Stephen Kozeniewski, and Wile E. Young
Open for submissions: till July 1st

Pay: 3 cents per word
Word range: 2500- 6000
Simultaneous submissions? Yes
Reprints? No

Description

Theme: A horror story about ghosts in a world where ghosts are a normal, everyday occurance

What if ghosts were real? What if they were a part of everyday life? What if they were, in fact, kind of banal? Could you still tell a horror story about them?

We like to think so. In fact, we wrote an entire novel about it. And now we’re inviting all of you to scare our pants off with your short stories set in the world of THE PERFECTLY FINE HOUSE.

Submission Hints

Stories must be reasonably classified as horror. Elements of other genres (i.e. dark fantasy, thriller, erotica, etc.) are fine, but explicit pornography and proselytizing religious tracts will not be accepted.–

All stories must take place in the world of THE PERFECTLY FINE HOUSE. This is an alternate reality where the following rules apply:

1. Ghosts are real.

2. Everything that dies, animal or human, leaves behind a ghost which persists eternally. Yes, that means a character could chill out with Julius Caesar and Jimi Hendrix if so desired.

3. Everyone can see ghosts and knows ghosts are real. 4. Only a total crackpot along the lines of a flat earth conspiracy theorist or anti-vaxxer in our own reality would deny the reality of an afterlife.

5. To not see ghosts would be considered a handicap akin to blindness, a lack of sixth sense.

6. Those are the basic, unbreakable rules for this anthology. But for more information on this world, you can read THE PERFECTLY FINE HOUSE.

My Insights

I have a character "Alma" a forensic scientist who talks to ghosts. Maybe this is an opportunity to expand her world?

Horror

filthy loot

Details

The Theme is New Meat in a Cold Room
Open for submissions: till March 15th

Pay: 2 cents per word
Word range: 2000- 5000
Simultaneous submissions? Yes
Reprints? No

Description

New Meat in a Cold Room (NMCR), the latest conceptual anthology from Filthy Loot, an independent press based in Ames, IA, is a unique mixtape of stories exploring hauntology, post-punk, and splatterpunk concepts. Before submitting, potential contributors should take the time to familiarize themselves with these terms. There are only *five* slots, and previous anthologies have had ratios of up to 40:1, so please ensure that you submit your best work. Submissions are due March 15, 2023. We are discouraging reprints for this particular anthology.

Submission Hints

What we’re not looking for: sci-fi/fantasy, experimental, torture, anything too humorous or bizarro.

Focused on misfit fiction (transgressive, existentialist, horror, and other cult fictions) and odd other ideas — we publish zines, art stuffs, & books in both limited edition and open formats.

My Insights

This one is a bit far out. Interesting... I have sent them Honour's Impossible Choice

SHAMELESS SELF PROMO

Dark Speculative

The Quiet Ones

Details

Theme: The Cosmic & The Void
Open Feb 1 - March 8
Pay: $25
Word range: 3000 max
Simultaneous submissions? yes
Reprints? No

Description

Quiet Horror and Dystopian genre works. You may be as creative with your interpretation of the theme as you like as long as your submission fits the genres we publish (see our FAQ page for more on how we define Quiet Horror and Intimate Dystopia).

Submission Hints

Authors may submit up to two pieces per issue. We request that each piece be submitted via its own individual email. You are welcomed to interpret each issue’s theme however you like but keep in mind that your interpretation should be within the realms of quiet horror and/or intimate dystopia.

Insight

I sent them the Baked Goods of Skirophoria

Solarpunk

solarpunk magazine

Details


Open Mar 1 - 14 BIPOC ONLY
April 1 -14 open to all
Editors: Justine Norton-Kertson & Brianna Castagnozzi
Pay: 8 cents per word 

range: 500-7500
Simultaneous submissions?No
Reprints? No

Description


Solarpunk Magazine publishes hopeful short stories and poetry that strive for a utopian ideal, that are set in futures where communities are optimistically struggling to solve or adapt to climate change, to create or maintain a world in which humanity, technology, and nature coexist in harmony rather than in conflict. We also publish solarpunk art as well as nonfiction that explores real world, contemporary topics and their intersection with the solarpunk movement for a better future.

Submission Hints

Our fiction editors are interested in works that stir readers with themes of defiance, change, and achievement. This effect isn’t likely to come via high concept utopias alone, but rather, from vibrant characters whose struggles affect the reader. Speculative elements should be apparent but not dominating; our disbelief suspended not by necessity, but immersion. Any genre of science fiction, interstitial fiction, magic realism, or fantasy has potential as a solarpunk forum—we welcome robots and elves with equal excitement.

Insight

I have a story called Sarah Small and the Smog Zapper I want to send here if rejected by Escape Pod

Science Fiction

escape pod

Details

Escape Artist Podcasts
Open for submissions:Sept 15-May 31

Pay:8c a word
Word range: 1500-7500 sweet spot 2000-4000
Simultaneous submissions? NO
Reprints? yes

ANON submissions.

Description

Escape Pod is a science fiction market. We are fairly flexible on what counts as science (superheroes! steampunk! space opera! time travel!) and are interested in exploring the range of the genre. We want stories that center science, technology, future projections, and/or alternate history, and how any or all of these things impact individuals and society.

Escape Pod leans in the direction of escapism, hopepunk and optimism rather than grimdark and gloom. We love to see funny stories, which can include dark humor that doesn’t punch down, and satire that isn’t painfully bleak. Remember that the failure mode of irony is sincerity, so if you’re mocking something, be sure you’re hitting the right target.

Submission Hints

We’re not interested in stories that contain sexual assault, rape, child abuse, animal cruelty, gore, or horror. We also do not want to see stories that treat the hardships of marginalized people or groups as thought experiments. While we may have published stories with that type of content in the past, they are not currently a good fit for Escape Pod. Our primary audience is adult listeners and readers. Strong language and sexual situations are fine, but we are not an erotica market.

My Insights

I've got Sarah Small and the Smog Zapper in the queue.

SHAMELESS SELF PROMO
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$10

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When I started using these journals, I found WAY more time to write. Plus I focus everyday on "becoming a successful author." $10

Speculative

Resurrected

Details

Legion of Dorks Presents: Resurrected
An anthology of Second Chances
Open for submissions: Jan1 - March 31

Pay:$50
Word range: 7000 max
Simultaneous submissions? yes
Reprints? No

Description

We connect adventurous readers with speculative fiction authors to provide an endless array of fantastical worlds to explore.

Submission Hints

You must include some sort of resurrection, whether real or virtual, that concludes by the end of the story to meet the theme requirements. You cannot write in anyone else’s world. Otherwise, have fun and let your imagination dominate.
A scientist discovers a way to bring back an extinct species.
At a new school, an outcast finds a way to reinvent herself.
A dead god tricks new worshippers into rejuvenating his power.
The ideas are endless.

My Insights

I sent in Dolores Deserves a Break.

Literary

SUNDOG

Details

Fiction Editor: Eric Rasmussen
Open for submissions: March 1 - May 1

Pay:$25
Word range: 3000 max
Simultaneous submissions? yes
Reprints? No

Description

We believe there is beauty in scars on smooth skin, in the small fissures where things begin to break apart. Sundogs are not the sun itself but phantom stars appearing on the horizon, illusions produced by the play of the sun’s heat with crystals of ice. They shed their light all the same. Many are tinged with color.

We look for this same quality in poetry, fiction, and nonfiction. We want writing that attempts to salvage something pure from the collision of warmth and cold, that says what it can about the world it finds itself in. We seek a diversity of voices speaking from visceral, lived experience. We like truth we can stare at until our eyes water, words so carefully chosen we want to reread them as soon as we have finished.

Submission Hints

We want muscular prose, authenticity, and a real beating heart. Play with form and show us the humorous absurd

Nonfiction We are cool with traditional personal essay, memoir, etc. We LOVE us some experimental, research-driven stuff. Segmented. Lyric. Essays written in a bowl of alphabet soup. Surprise us. Play with form and content. If you hybridize some poetry and nonfiction, send it our way.

My Insights

none.

Horror

tales to terrify

Details

THEME - CHANGING SEASONS
Fiction Editor: Eric Rasmussen
Open for submissions: Feb 15 - April 1

Pay:$25
Word range: 1500 max
Simultaneous submissions? yes
Reprints? No

Description

Tales to Terrify is a volunteer-run fan podcast featuring short horror, dark fantasy, and other disturbing fiction.

We encourage you to challenge the definition of horror. Standard tropes and monsters are welcome, but give us your own unique take. Avoid the cliche and expected, unless as devices used purposefully and cleverly to further your story.

Drag us deep into the unsettling atmosphere of a crumbling Gothic mansion. Show us the gritty, real-world horrors of evil people with dark intentions. Make our blood run cold and our breath catch in our throats as we’re hunted by ravenous creatures. Unhinge our minds with reality-bending, psychological horrors. Make us feel the pain and sorrow of a long-suffering spirit.

We do our best to honour the diversity within the genre and you should, too. We want to be terrified by your concepts, by your implications, by your story’s possibilities. We want to read works that threaten to bleed into our reality and corrupt something as ordinary as a toaster. Anything is allowed as long as it’s well-conceived and well-written.

Submission Hints

The story must have horror elements and relate to the theme of changing seasons. How you choose to interpret that theme is up to you, but it must be central to the story. Simply setting your tale during a change in seasons or having a tale take place across seasons is not adequate. It must play a crucial role in the development of the narrative.

The image included is for interest purposes only and not intended as a prompt.

My Insights

none.

Horror

The devil take you

Details

Sentinel Creatives
Closes- April 15

Pay:$125-$200
Word range: 3000-6000
Simultaneous submissions? yes
Reprints? No

Description

We’re looking for original weird tales set in the medieval period that explore the human (and inhuman) experience through the lens of horror.

Some clarifications:

Weird: The term “weird” should be understood to mean a certain sense of breathless and unexplainable dread, of outer, unknown forces present, a suggestion of the defeat or suspension of the laws of nature which have hitherto served to protect our minds and bodies (and souls) from the assault of chaos. By its very nature, weird fiction should invoke in the reader a sense of profound uneasiness and dread, it should hint at the inability of the human mind to comprehend the true nature of existence, and it should cause us to question the stability of our faith in the established laws of nature.

Medieval: The term “medieval” denotes the period in Europe lasting from around 500AD to 1500AD and is typically divided into the Early, High, and Late Middle Ages. There is a temptation here that often proves too powerful to ignore, to view Europe through a monist lens: to see all of Europe as Christian, white, and “Western”. But this is a strange way to view a continent and a period that saw so much strife and upheaval precisely because of the differences of those living within its borders. These are the differences—the tensions—that create the opportunity for compelling storytelling.

Submission Hints

Tell us stories set in the Iberian Peninsula, where the Muslim Moors and Spanish Ibero sit uneasily beside one another, all while resting over the rotting bones of the old Roman Empire. Or show us the places where cultures mix and often collide: the heirs of Rome in Constantinople or the warring Crusader States of the Levant. What might the Mongols discover as they plunge into the old temples of Europe? What awaits the crucesignati as they ride to bring the word of Christ to the Wends in their dark forests? And, of course, the Vikings. We love a good Viking Horror.

The medieval setting provides, in our opinion, one of the most interesting places (large as it is) to write weird fiction. There is upheaval—the undoing of the order of the world, which gave birth to the Middle Ages with the Fall of Rome; the rise of new religious sensibilities, new faiths gaining strength and momentum and yet not quite able to unseat the folk beliefs and superstitions of the past—often resulting in a conjoining of beliefs, a merger or absorption of the one by the other (for e.g. the jinn in Islam).

My Insights

They define Horror as: It now feels trite to say, but good horror is about trespass and transgression more so than it is about transcendence. It confronts themes, images, and ideas that people would rather avoid than confront but elicits in the reader a sense that they cannot look away.

Give us your body horror, your cosmic horror, your religious and paranormal horror, folk horror and slashers, monsters and more!

ONGOING SUBMISSION CALLS -LISTED HERE TILL THEY CLOSE

Horror

Creepy Podcast

Details

OPEN NOW
**Looking for 1st person narratives
Producer: Steve Blizin

Creator/Narrator Jon Grilz
Pay: $2 per 100 words for patreon stories (typically stories at are 3000 words or less) $100 flat rate for stories selected for Sunday production.

Word range: 1,000-7,000

Simultaneous submissions: Yes
Reprints No

Description

Jon Grilz is a writer and podcast living in Minnesota. His love of horror and creepypastas led to a simple question, "Where are all the creepypasta podcasts?" Having started his horror podcasting with Small Town Horror, delving into the world of some of the best scary stories felt like a natural transition.

Submission Hints

WHAT WE WANT…

SINGLE NARRATOR STORIES Obviously we have a large cast, but for production sake, single narrator stories work the best (a story where only one person is speaking). We understand that when telling stories, we all tend to quote what someone else said, and that’s fine, but it has a very distinct tone. Multiple speaking roles will always be considered, but single narrator stories tend to get preferential treatment.

WHAT SCARES YOU We hear it plenty, “that wasn’t scary.” Well, then scare us. Tell us something new. Something dark and horrible. Something that we can’t say no to. The things that scare the writers tend to be the things that bleed through into the writing and make for the most compelling stories.

DIVERSITY We celebrate diversity at the Creepy podcast. BIPOC, LGBTQIA, anyone and everyone is welcome here. Just leave your hate at the door. If you have a story that is specifically for a black or female voice actor, please tell us. If your story really grabs us and there is an ethnicity not currently represented on the show, we will find someone to read the story to do it justice.

SCARE US We’ve read a lot of stories, and been a bit desensitized. Feel free to push the boundaries of gore and horror, but remember this is audio. Think about the listener when you are writing it.

Sample Rejection

Creepy bought my story "A Deadful Friday the 13th" Listen to it and get some hints from an interview with Jon himself. His story is amazing...

Horror, Bleak Sci-Fi, Dark Fantasy

seize the press

Details

Editor: Jonny Pickering
ongoing

Pay: 3 Pence per word

Word range: 2,000 max

Simultaneous submissions?Yes
No 
Reprints? No

Description

Seize The Press is the literary melding of Ursula Le Guin, Thomas Ligotti and Rosa Luxemburg. A brand new online magazine for dark speculative fiction and anticapitalist sci-fi, fantasy and horror pop culture analysis. Neon, dragons and gore. We pay pro rates to writers and aim to build a solid community where writers are paid well for their work and readers get some top tier fiction and media criticism. And if we get to dunk on Disney in the process then that’s just the cherry in the pie.

Submission Hints

Seize The Press Magazine is looking to publish dark, transgressive speculative fiction. Bleak sci-fi, dark fantasy and horror only. We’re looking for stories that aren’t didactic or moralistic. We want stories where everything isn’t wrapped up neatly at the end. We want to promote a diverse range of voices from authors who write messy characters, so give us your problematic queers and your angry women—we want your difficult and morally questionable characters in unpleasant situations who don’t slide neatly into a narrow definition of positive representation and don’t fit the model minority mould.

My Insights

The stories are free to read on this website. And they are strange. I read "Eating Bees From The Ass of God" and "Some Seeds Only Bloom After Burning." They were both a tad disturbing and well-written. So, this market is a curiosity for me. Who doesn't like to let their inner weird rage?

I think they have recently decreased their pay--- from 6 pence to 3 pence.

I got a standard rejection from Jonny Pickering. "Thank you for submitting "Dolores and the Dark Dilemma" to Seize The Press Magazine. I appreciated the chance to read it. Unfortunately, the story is not what we're currently looking for. I'm going to pass this time, but I wish you the best of luck finding a home for the story."
But I am trying again with a story I wrote about a weird Greek festival Skirophoria. It is an actual thing where women eat cookies baked in the shapes of male genitalia.

Literary

the deadlands

Details

Editor: Catherine Tobler
Reopens FEB
Pay: 10 c a word

Word range: 5000 max sweet spot 3-4k
Simultaneous submissions? No
Reprints? yes 1c a word

Description

The Deadlands exists in liminal spaces between life, death, and elsewhere. We are looking for speculative fiction that concerns itself with death–but also everything death may involve. A ghost in a shadowed wood. An afterlife discovered through a rusted door. An abandoned house in the middle of a haunted field. A skeletal figure moving with intent toward something unseen. Death personified. Burials in troubled lands. A raised scythe against a clouded sky. Memento mori. The rivers of the dead. The sprawling underworlds beneath our feet.

The Deadlands would love to see stories from a worldwide perspective, different cultures, different approaches to death. We welcome stories from everyone, everywhere. Stories that feature characters impacted by someone passing away and processing the event of death, are fair game, but will likely be a hard sell. Stories about related subjects—zombies, demons, vampires, apocalypses, and the various undead—are not for us. An apocalypse may be your setting, but it isn’t your story. We are absolutely not interested in seeing weird West stories, steampunk tales, or military fiction. We are not interested in stories involving Lovecraft’s mythos. Humor will be a harder sell than heartbreaking. If your story begins with someone waking up, it is not for us.

Submission Hints

We are never far from death—Dante reminds us. It is always there, just out of sight, around the bend in the road. The faraway nearby, Rebecca Solnit says. We could step past a tree in that wild forest and be there. Where? The Deadlands.

The Deadlands is a monthly speculative fiction magazine. We publish short stories, poems, and essays about the other realms, of the ends we face here, and the beginnings we find elsewhere. It is an adventure into the unknown, to meet those who live there still, even though they may be dead. Death is a journey we all will take, but we’d like to peek at the map before we go.

We are generally open to fiction and nonfiction submissions, except for a year-end holiday closure. Poetry submissions are open the first two weeks of every month, resuming in February 2022. Explore our guidelines and read our issues to see what we’re publishing and if your work might fit.

Insight

A couple rejections so far for me. They came quickly... If my story The Death Determiner does not place in the Quantum Steampunk contest, I may send it here.

Speculative

factor four

Details

Editor: Richard Flores IV
ongoing
Pay: 11 c a word

Word range: 1000 max
Simultaneous submissions? No
Reprints? No

Description

We publish flash fiction in the genres of speculative fiction, specifically science fiction, fantasy, supernatural, super hero, or any combination of these. We are looking for stories that are engaging to our readers in such a short word count. Please take note of these factors (pun intended) when submitting stories to us.

Submission Hints

Speculative Fiction is a broad term to accompany several genres. Factor Four Magazine will focus on four of these genres. Science Fiction, Fantasy, Supernatural, and Super Hero. Genre lines are very hard to define at times, so we keep things a bit fuzzy when it comes to the definition of each of those. You may even find a few stories blend several genres together.

Insight

I sent the Trippy Trip to Triton here... Hoping they like it.

Science Fiction Flash

Nature Futures

Details

PERIODICAL
Deadline: Ongoing

Pay:$130 per story
Word range: 850-950 max
Simultaneous submissions? Yes
Reprints? No

Description

Futures is a venue for very short stories or ‘vignettes’ of between 850 and 950 words. The subject is typically near-future, hard SF, although this can be interpreted liberally. In short, what Futures is looking for is originality. To this end it is advisable to read as many previous Futures as you can, as stories that repeat themes already dealt with extensively are less likely to be considered than those that do something new and different. Futures does not consider reprints of stories previously published elsewhere.

Submission Hints

OK. Take a seat. This won’t take long. Don’t worry about the alien, he always does that when he sees strangers, it doesn’t stain. I’m afraid I can’t offer you any refreshments — the service droid blew a fuse last week and the spare part is stuck on a shuttle somewhere between here and Titan. But, as I say, this won’t take long. If you’re sure you wish to send a story to the orbiting station that is the Futures submissions hub, it’s probably easiest if I upload the instructions via the mind link. Ah. Unusual. OK. Well, in that case I will have to spell out the protocols the old-fashioned way. The very first rule is, I’m afraid, prepare to be disappointed. This is not a bad thing, but as for any science-fiction outlet, Futures can publish only a limited selection of the stories we receive, so rejection is part of the process (and it is honestly no more fun to issue a rejection than it is to receive one). The second rule is that contributions to Futures are welcome from absolutely anyone, irrespective of whether they are writing their first story, or are professional or published authors. There are, of course, some basic requirements, so here are some frequently asked questions:

My Insights

** I currently have my story "Gragon" here.

Only rejections for me. Ai Jiang has had success here. More info at this link -http://www.concatenation.org/futures/authorsinstructs.html Update on this market, quite a few writers I've been conversing with say they have sold here. Time to double down.... (ps - apparently a bit of humour helps?)

SPECULATIVE & LITERARY

flash fiction online

Details

Editor: Emma Munro
Open from the 1st to 21st of every month
Pay: $80 8c word minimum
Word range: 500-1000
Simultaneous submissions? No
Reprints? Yes 2c a word

Description

We are looking for complete 500- to 1000-word stories with crisp prose, well-developed characters, compelling plots, and satisfying resolutions. We want stories that engage our minds and emotions.

Submission Hints

Anonymous submissions.

Flash Fiction Online has published stories from both new and established authors across the globe. We love narratives with crisp prose, well-developed characters with emotional arcs, fascinating plots, and satisfying resolutions. We want works that engage our minds and emotions and that leave us with a sense of awe or give us something to muse on. We’re always on the hunt for something new, surprising, clever, or beautiful.

Insights

It took them ten days to reject my last story,

SHAMELESS SELF PROMO

Funniest horror story you will hear...

So this guy dated a witch and got turned into a horse. Six minutes you will thank me for. 

https://readmeanightmare.buzzsprout.com

Fantasy & Science Fiction

Clarkesworld

Details

Rolling Submission Window OPEN
Publisher/Editor: Neil Clarke
Pay: 12 cents per word
Word range: 1,000 - 22,000

 Simultaneous submissions? No
Reprints? No 


Description

Clarkesworld is an award-winning science fiction and fantasy magazine. A SFWA-qualifying market, it was first published in 2006 and is one of the top places speculative fiction writers want to see their work. It comes out monthly, and contains interviews, stories, and articles. They accept stories from all over the world and say translations are welcome. They also have a podcast which features a story from the current issue.

Submission Hints

The submission guidelines state: 
“Science fiction need not be “hard” SF, but rigor is appreciated. Fantasy can be folkloric, contemporary, surreal, etc. 
That said, there are some things that we’ve grown tired of and can be difficult or impossible to sell to us: (this is not a challenge) 
• stories that include zombies or zombie-wannabes 
• stories about sexy vampires, wanton werewolves, wicked witches, or demonic children 
• stories about rapists, murderers, child abusers, or cannibals 
• stories where the climax is dependent on the spilling of intestines 
• stories in which a milquetoast civilian government is depicted as the sole obstacle to either catching some depraved criminal or to an uncomplicated military victory 
• stories where the Republicans, or Democrats, or Libertarians, or . . . (insert any established political party or religion here) take over the world and either save or ruin it 
• stories in which the words “thou” or “thine” appear 
• stories with talking cats or swords 
• stories where FTL travel or time travel is as easy as is it on television shows or movies 
• stories about young kids playing in some field and discovering ANYTHING. (a body, an alien craft, Excalibur, ANYTHING). 
• stories about the stuff you just read in Scientific American or saw on the news 
• stories about your RPG character’s adventures 
• “funny” stories that depend on, or even include, puns 
• stories where the protagonist is either widely despised or widely admired simply because he or she is just so smart and/or strange 
• stories originally intended for someone’s upcoming theme anthology or issue (everyone is sending those out, wait a while) 
• your trunk stories 
• stories that try to include all of the above” 


Sample Rejection

Someday I will crack this market. 26 rejections so far.

Fantasy & Science Fiction

The Magazine of Fantasy & Science Fiction

Details

Editor: Sheree Renee Thomas 
 Pay: 8-12 cents per word 
 Word range: flash to 25,000 
 Simultaneous submissions? No 
 Reprints? No 

Description

When it comes to helpful rejection letters, fast turnaround times, and a high-quality product, this is my favorite place to submit stories. The Magazine of Fantasy & Science Fiction is a Science Fiction & Fantasy Writers of America (SFWA) qualifying market based out of the United States. Founded in 1949, they produce six print issues a year. They are the original publishers of science fiction classics like Stephen King’s “Dark Tower” and Daniel Keyes’s “Flowers for Algernon”. 
I’ve sent them 14 stories and received a rejection for all of them. However, five of the rejection letters included detailed reasons why C.C. Finlay did not accept them. “The Last Ride,” “Camp Napanoo,” “The Versa Vice,” “The Writing Retreat,” and “The Patron Saint of Livestock,” all came back with thoughtful notes that helped me rewrite each tale and sell them to other markets. 
The new (and 10th) editor for 2021, Sheree Renee Thomas, is an award-winning Pushcart-nominated author. Her work is inspired by myth, folklore, and natural science. I look forward to reading her rejections and cross my fingers there may be an acceptance eventually. 
The Magazine of Fantasy & Science Fiction is frequently open to submissions and only close when they need to get on top of their slush pile.

Submission Hints

According to the writer’s guidelines: 
“Submissions have increased more than 10% this year, compared to last, and you aren't just sending us more stories, you're sending us more really excellent stories. That is one of the few good things we'll say about 2020. Give us this chance to go through them.” 
Another plus to this market is the rapid turnaround. I never had to wait more than two weeks to get my “nay.” However, the guidelines do ask for writers to allow eight weeks for a response.

My insight

This is the feather I want in my writing cap. I intend to submit here until ONE DAY I get an acceptance.

Any Genre

substack

Details

This an interesting venue
Ongoing

Pay: $100 plus 50% subscription revenue

Word range: 6-10,000 words

Simultaneous submissions? No
No 
Reprints? Yes

Description

Mission = Revive the art of the short story, support artists, and produce something wonderful.

Submission Hints

What does the timeline look like? Submit stories by the end of the month, winner to be announced on the 15th. There is ONE story that wins and receives the full payout. Where do I send submissions? shortstorystack@gmail.com What are the rules for submitting?

1. No Fees

2. Send in Microsoft Word or Google Doc form

3. Any genre

4. 6- 10,000 words. Yes, just 6 words, like Hemingway's famous 6-word story "For Sale: Baby shoes, never worn."

5. Reprints are ok so long as you still have the rights to distribute.

Insights


A couple of rejections so far. But the last guy who won the contest make over $400. So.. a worthwhile venue.

Horror, Wonder & The Weird

Three-lobed Burning eye

Details

Editor: Andrew S. Fuller

ongoing
Pay: $100 for short fiction, $30 for flash

Word range: 1,001-7,500

Simultaneous submissions? No

Reprints? No

Description

Three-Lobed Burning Eye is a speculative fiction magazine offered free on-line. They publish twice a year, with a print anthology every other year. Each issue features six short stories.

Submission Hints

“Original speculative fiction: horror, fantasy, science fiction. We’re looking for short stories from across the big classifications and those shadowy places between: magical realism, fantastique, slipstream, interstitial, and the weird tale. We will consider suspense or western, though we prefer it contain some speculative element. We like voices that are full of feeling, from literary to pulpy, with styles unique and flowing, but not too experimental. All labels aside, we want tales that expand genre, that value imagination in character, narrative, and plot. We want to see something new and different.”

Insight

I've sent this market a lot of stories. Nine and all rejected. Kernel Cob is here...

Literary Adventure Fantasy

beneath ceaseless skies

Details

Ongoing Editor: Scott H. Andrews
Pay: 8 cents per word
Word range: under 15,000 words
Simultaneous submissions? Yes
Reprints? No

Description

Beneath Ceaseless Skies has been bringing fantasy adventure stories from pre-tech worlds to readers since October, 2008. This is another SFWA-qualifying magazine with absolutely breathtaking cover art and award-winning short stories.

Submission Hints

“We love traditional adventure fantasy, but we also love how the influence of literary writing on fantasy short fiction has expanded the genre, encouraging writers to use literary devices such as tight points-of-view and discontinuous narratives; to feature conflicts that are internal as well as external. We want stories that combine the best of both these styles—set in vivid fantasy or historical paranormal worlds but written with all the flair and impact of modern literary-influenced fantasy.” 
To help understand what kind of world they’re looking for; here is how they describe secondary-world settings: 
“We want stories set in what Tolkien called a “secondary world”: some other world that is different from our own primary world in some way. It could be different in terms of zoology (non-human creatures), ecology (climate), or physical laws (the presence of magic). 
It could be set on Earth but an Earth different from our modern-day primary world in terms of time (the pre-modern historical past of our real-world Earth) or history (alternate history from our Earth’s history). It could have a “pre-tech” level of technology, or steampunk technology, or magic as technology, or anything else that’s not advanced or modern technology. However, the setting should contain some element that is in some way fantastical, and the qualities of the setting should have some bearing on the rest of the story. 
We are NOT interested in urban fantasy or other types of stories set in our modern, contemporary “real world,” even if they contain fantasy elements, or in stories that move between the real world and a fantasy world.”

Sample Rejection

This editor is one of the best in the business IMO. Not that I've sold anything here yet. I've got my rejection for Zelda's Dust-Crossed Lovers - but as always, some great advice from the editor on how to fix a few flaws.

Science Fiction

INTERZONE DIGITAL

Details

Editor: Gareth Jelley
Ongoing

Pay: 1.5 Euro cents per word

Word range: 2000-17,500 for PRINT

Up to 5000 for digital
Simultaneous submissions? Yes (as of July)
Reprints? No

Description

Interzone has long been one of the most exclusive and highly regarded sci fi magazines in the industry.

Interzone was founded in 1982 by David Pringle, John Clute, Alan Dorey, Malcolm Edwards, Colin Greenland, Graham Jones, Roz Kaveney, and Simon Ounsley. It was published by TTA Press and edited by Andy Cox from 2004 to 2022, and from #294 it is published by MYY Press and edited by Gareth Jelley.

Submission Hints

They are currently looking for submissions of fantastika (including horror)

Insights

This magazine has won a Hugo and launched a few careers. it is now owned by MYY Press, and edited by Gareth Jelley. I have quite a few rejections from here. Sometime I've received a nice personalized note. I really am fond of this market.-- Gareth wants writers to wait 21 days between submissions

Mystery & Crime

mystery magazine

Details

Mystery Writers of America approved
Open for submissions: ONGOING

Editor: Kerry Carter
Pay:2c a word
Word range:1000-7500
Simultaneous submissions? yes
Reprints? no

Description

At the cutting edge of crime fiction, Mystery Magazine presents original short stories by the world’s best-known and emerging mystery writers. The stories we feature in our monthly issues span every imaginable subgenre, including cozy, police procedural, noir, whodunit, supernatural, hardboiled, humor, and historical mysteries. Evocative writing and a compelling story are the only certainty.

Submission Hints

They use a form for submissions (click on magazine cover). They are looking for You-Solve-It mysteries and other short stories.

My Insights

High hopes that I can sell to this market one day. They send their rejections in good time, and I love their content.

Mystery & Crime

tough magazine

Details

CRIME FICTION JOURNAL
Open for submissions: ONGOING

Editor: Tim Hennessy
Pay:$50
Word range:1500-7500
Simultaneous submissions? Yes
Reprints? Yes $25

Description

Tough is a crime fiction journal publishing short stories and self-contained novel excerpts of between 1500 words and 7500 words, and occasional book reviews and essays of 1500 words or fewer. We are particularly interested in stories with rural settings. We are a crime journal.

Submission Hints

They adamantly only take submission through Submittable and it better be in the RTF format.

Tough publishes three times per month on Mondays, for which we pay a flat rate per story, book review or essay (as of contract date January 23rd, 2021, that rate is $50) --we don't take poems--in exhange for first world serial rights to publish the submission on the website and one-time anthology rights. Query toughcrime@gmail.com for details or to pitch reviews, essays and reprints. Fiction need not be queried.

My Insights

Two rejections from this market. And one being considered since Oct 5th. The Perfect Post. Just got the rejection on Dec 17

Crime & Mystery

the dark city

Details

Editor: Steve Oliver

Pay: $25 per story

Word range: 1,000-7,500

Simultaneous submissions? No
No 
Reprints? No

Description

The Dark City Mystery Magazine is the product of a community of crime and mystery writers and fans who spend an inappropriate amount of time exploring the dark side of human nature as expressed by its criminal behavior. The magazine is produced by Dark City Books, a publisher of crime and mystery anthologies and collections.

Submission Hints

The Dark City is dedicated to the love of story, and in particular, the rough and tumble of the world of crime and violence. We are fans of story that has roots in reality but we do consider humorous situations and characters to be part of reality. We hope to acquire stories that leave readers thinking about the characters and their dilemma.

Insights

I sent them The Midlife Storm. rejected. In 2018. time to try again?

Horror & Dark Fantasy

the dark magazine

Details

Editor: Sean Wallace
ongoing

Pay: 6 cents per word

Word range: 2,000-6,000

Simultaneous submissions?
No 
Reprints? No

Description

The Dark Magazine sends out rejections fast and furiously. It’s one of the reasons I like submitting to them. Instant results. They publish horror and dark fantasy. Sean Wallace is the founder, publisher, and editor of The Dark, and has also edited for Clarkesworld and Fantasy Magazine.

Submission Hints

Don’t be afraid to experiment or to deviate from the ordinary; be different—try us with fiction that may fall out of “regular” categories. However, it is also important to understand that despite the name, The Dark is not a market for graphic, violent horror.

Sample Rejection

“We have read your submission and unfortunately your story isn't quite what we're looking for right now. While we regretfully cannot provide detailed feedback due to the volume of submissions, we thank you for your interest in our magazine and hope you continue to consider us in the future.” I have over 30 of these.

Mystery & Crime

Ellery Queen mystery magazine

Details

Editor: Janet Hutchings
Open for submissions: ongoing

Pay: 5-8 cents per word
Word range: 250-12,000
Simultaneous submissions? No
Reprints? occasionally

Description

Ellery Queen Mystery Magazine (EQMM) has been around since 1941 and has been cited as “the finest periodical of its kind” by The Readers Encyclopedia of American Literature. They pay professional rates and have short stories from famous authors in many editions.
Writers like William Faulkner, Agatha Christie, Ian Rankin, Val McDermid, Ruth Rendell and Peter Robinson have been featured.
It is a part of the Dell Magazine family along with Alfred Hitchcock Mystery Magazine. 
Their website proclaims they are the “winner of more than 100 major awards, including 22 Edgars from the Mystery Writers of America, EQMM is the most celebrated mystery and crime-fiction publication in the world.”

Submission Hints

“We publish every kind of mystery short story: the psychological suspense tale, the deductive puzzle, the private eye case—the gamut of crime and detection from the realistic (including the policeman's lot and stories of police procedure) to the more imaginative (including "locked rooms" and "impossible crimes"). We need hard-boiled stories as well as "cozies," but we are not interested in explicit sex or violence.
We do not want true detective or crime stories. With the exception of a regular book review column and a mystery crossword, EQMM publishes only fiction. We are especially happy to review first stories by authors who have never before published fiction professionally.

My Insights

I’ve been reading Ellery Queen Mystery Magazine since the age of 9 years old and enjoy the short twisty tales. I was fortunate to have one of my first sales here. You can learn more about it in my full-length short story anthology (plus publisher insights) The Story Behind The Stories. “Three Calendars” was selected to be featured in the Department of First Stories. Janet talks about why she purchased this story, and gives general hints for writers in Episode 9 of Read Me A Nightmare.

DREAD INDUCING FICTION

THE DREAD MACHINE

Details

Editor: Tina (aka Alin)
Pay: 5 cents a word
Word range: 5500 max original
7000 max reprints
Simultaneous submissions? yes
Reprints? Yes

Description

The Dread Machine is a magazine, publishing house, and community where writers and fans of dread-inspiring fiction can read and connect. We make cool creative projects accessible to those who will love them the way they deserve to be loved. In service of that mission, we are always accepting submissions.

Submission Hints

The Dread Machine publishes futuristic dark fiction, speculative fiction, cyberpunk, slipstream, and science fiction. We do not accept religious fiction, fetish horror, or erotica. All submissions must be in English.

UPDATE

Remember to send your stories anon! I've sent them my Emotives story to consider.

Science Fiction Horror

DARK Void

Details

OPEN ongoing
Editor: Benjamin DeHaan
Pay: 1 cent per word 

word range: 3000-4000 

Simultaneous submissions?No
Reprints? No

Description

Dark Void Magazine is a biannual science fiction horror magazine featuring four original short stories that take place off planet Earth.

Submission Hints

If your story is on Earth it will be rejected...

My Experience

No luck here yet...

BEST BOOKS TO TEACH YOU THE SKILL OF WRITING SHORT STORIES

Save your $ and read my reviews before you buy.

https://www.fawns.ca/links/